Use the pro knowledge for your growth and booking via gigmit. In 2018 the Pro Talk Series won a TEC Award for Outstanding Technical Achievement in the Audio Education Technology category.Ĭheck it out, get inspired and learn from professionals how to develop a perfect live sound. Designed to serve as a valuable resource for aspiring engineers, producers and audio enthusiasts, the series focuses on the journeys of the world’s leading audio professionals and their expert advice for a path to success. That’s why we at gigmit BLOG share the experience and expert knowledge of people who work in the industry just like our friends from Sennheiser do with their award-winning Pro Talk Series. In the music industry, there is no classic right and wrong. Learning From Professionals: Sennheiser Pro Talk The Backstreet Boys live sound engineer advises: “Belief in yourself. “Gear will come and go but support is something that you always need.” Why did the FOH engineer never had problems with technical equipment? Pro Talk Part 3 is about rooms, limiters, decibels, the best monitors, snapshots and crew love in a tough industry. And with five dancing singers that obviously can be a challenge. After all, the audience doesn’t come to live concerts to listen to a CD, says James in Part 2, and with 118 channels he clearly focuses on the details of the vocals. In Part 1 of this Pro Talk, he talks about the 1999 back flash, the energy of screaming fans and how he found his way into the music business touring with 15 trucks loaded with gear for one show.Īlthough they use backtracks, the Backstreet Boys sound live as if they had a band with them. Just the guy mixing you,” says the FOH engineer. James McCullagh is responsible for the Backstreet Boys live sound. The sound optimized for the audience is called Front of House Mix or simply FOH. Part 1: The Energy of Screaming Backstreet Boys Fans
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